What dessert or sweet treat defines Paris? The internet is littered with lists, debates rage, and more often than not, the macaron is crowned king (or queen, perhaps not an enviable role given Paris’ history). I would argue the madeleine, quietly observing from the wings, deserves its moment to shine.
Delicious and beautiful and delicate as they are, macarons are also known for their fussiness and fanciness; they have a notorious reputation for tempermentality should you take on the challenge of making them yourself. Madeleines are confident in their simplicity, needing nothing more than a dusting of powdered sugar or basic sugar glaze.
Madeleines, like Paris, have a bit of je ne sais quoi about them, just enough to make things interesting, but not intimidating if approached with the right attitude. Madeleines are, in fact, very approachable and not particularly complicated–you probably have every ingredient in your cupboard or fridge.
But they require a bit of dedication and a dedicated pan (madelelines are not madeleines if they’re baked in cupcake tins), a little patience, and some home-cook magic to create their iconic little bump. Madeleines also will not wait for you; once baked, their window of perfection is short, and it’s really best to cede to their schedule for the best experience–you’ll really be glad you did.
The buttery, lemony, sweet little cakes themselves are pillow-soft but sturdy enough to stand up to a dunk in a cup of tea (memorably so, if Marcel Proust is any authority). If you look at a macaron sideways, its delicate shell might crack and crumble. The madeleines traditional shell shape is their one nod to decoration, but even that is relatively simple by necessity–too intricate and the detail is lost or they stick to the pan.
On the other hand, maybe the madeleine is best left out of the spotlight to be enjoyed by those who know what to look for. Maybe it doesn’t need a chain of ultra-high-end stores, fancy boxes, or a cult following, but just a pretty little plate and a pot of tea at a beat-up wooden table surrounded by friends and good conversation. Sounds like perfection to me.
And simply because no discussion of the madeleine would be complete without it:
No sooner had the warm liquid mixed with the crumbs touched my palate than a shudder ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses, something isolated, detached, with no suggestion of its origin. And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory – this new sensation having had on me the effect which love has of filling me with a precious essence; or rather this essence was not in me it was me. … Whence did it come? What did it mean? How could I seize and apprehend it? … And suddenly the memory revealed itself. The taste was that of the little piece of madeleine which on Sunday mornings at Combray (because on those mornings I did not go out before mass), when I went to say good morning to her in her bedroom, my aunt Léonie used to give me, dipping it first in her own cup of tea or tisane. The sight of the little madeleine had recalled nothing to my mind before I tasted it. And all from my cup of tea.
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